That typography:
1) you have? (Why?)
Those with a high x box. Because working in editorial, which is what we mainly do, I solve a performance issue (the more text in the same space) and are compact and strong. Families many, too, because with one type resolve all situations I posed a complex publication.
Examples:
Corpid, Luke deGroot. A Dutchman who is an incredible plant sources.
Ronnia, Veronika Burian and José Scaglione. They have a very interesting production. Stag
by Christian Schwartz. The same source was used by the UK Guardian newspaper since its last redesign.
Clan, Lukasz Dziedzic.
2) prefer? (Why?)
I'm attracted to Sans Serif, the Egyptian, the heavy. I found
fancy fonts, many free, that there is a little odd that I love
and expect to use your chance to get into the ring. VAL
font of Fontfabric. FILE
http://fontfabric.com/?p=585
font, also Fontfabric. Http://fontfabric.com/?p=713
Typeface
Big Boned, Osaka Network. Http://www.flickr.com/photos/networkosaka/3147180088/
3) you hate? (Why?)
Well, hate, hate what is said, not hate, say that the format with indifference. Sources
Stempel Garamond as the Times, Optima, FontExplorer sleep in the sleep of oblivion.
No fonts that are not noble, I just think that fonts are like songs
carry the perfume of the time it was created, the spirit of his time.
I like to think that the sources I use are the result of having been
a fortunate encounter between tradition we inherit and the time in which we live. (Argentine Designer)
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